Driving down one of the busiest streets of Oklahoma City today, I noticed a flag at a local business flying at half-staff. It was the only one on that block. I’m sure many people wondered about it.
But I remembered.
December 7, 1941…the day the U.S. was brought into World War II with the bombing of Pearl Harbor by the Japanese.
Through the years, my mother recounted tales brought home from “over there” by her relatives who enlisted. She talked also about the rationing here at home—how difficult it was to get needed items, and how impossible it was to get luxuries. She was 19 when the U.S. entered the war—just the very age of so many of the young men who were killed in the surprise attack on December 7, 1941. Was there a man of that age who didn’t rush down to sign up for duty after that fateful day? Many of her fellow students and co-workers did just that, and during the course of the next four years of war, many of them were lost.
My father tried to sign up, but his lungs were bad. He was turned away. I think he was always ashamed of that, because until the day he died, he had one of the most patriotic hearts I’ve ever known. Secretly, when I was old enough to realize what that might have meant, I was glad that he had not had to go to war. I knew that would have changed everything in my world.
Being as close as it was to Christmas made the deaths of the men at Pearl Harbor even more poignant. Just done with Thanksgiving, looking forward to the Christmas holidays to come, so many young lives snuffed out in the space of minutes. Watching the documentaries, hearing the old soldiers that are left from that time talk about the horror of that day, and of war in general, brings tears to my eyes.
I’m always amazed by the generations that have gone before us, and how they stood up and faced adversity when it was required of them. Being human, as we all are, the unknown was just as frightening to them as it is to us. We tend to forget it, somehow, because of the luxury and comforts of our modern lives that we have become used to. We have let ourselves become numb, in a way, and what’s worse—we have forgotten.
We have forgotten what the generations before us sacrificed for us, their future. We have forgotten how to honor the memory of those men and women, and what they did, individually and collectively.
I counted flagpoles the rest of the way home from that one, lonely half-staff flag—about a mile and a half to my house. There was only one other pole along that route that flew their flag half-staff in memory of that day sixty-eight years ago. A day that ended in smoke, and fire, drowning and death…and war.
Something peculiar occurs to me. I have been alive during the time when the last surviving widow of a veteran of The War Between The States died. I have been alive during the time that the last survivor of World War I died. There are not that many survivors left of World War II. Yet, our schools pass over these huge, world-altering events as if they are nothing, devoting a page or less to them in the history texts. Think of it. A page or less, to tell of the suffering, the economic impact, the technological discoveries, and the loss of humanity of each of these wars.
No wonder our society has forgotten the price paid by those who laid down their lives. When we don’t teach our children, and learn from the past, history is bound to repeat itself.
President Franklin Roosevelt declared December 7, 1941 as “a day that will live in infamy.” That statement, spoken so boldly, believed so strongly, held so close to the hearts of that generation, is only true as long as the next generation, and the one beyond that, remembers.
Well, many years have passed since those brave men are gone
And those cold ocean waters now are still and they’re calm.
Well, many years have passed, but still I wonder why,
The worst of men must fight and the best of men must die.
From “Reuben James” by Woody Guthrie
Showing posts with label westwindsromance. Show all posts
Showing posts with label westwindsromance. Show all posts
Monday, December 7, 2009
Tuesday, August 18, 2009
THE ROMANCE OF A ROOM ADDITION
What is the most romantic room in a home? In our romance stories, it’s quite often the bedroom where the romance actually physically happens. Other rooms in our characters’ homes are romantic and meaningful to the hero and heroine for various reasons as well.
The room I think of as most romantic is one that doesn’t exist yet: the room addition.
How can adding on a room be romantic? Okay, first of all, let’s remember this IS make- believe! In real life, home construction or remodeling projects will cause the topic of divorce to be introduced into the loving couple’s conversation at some point. Over and over.
Two short rollers and a can of paint in a bathroom can break a marriage faster than an overdrawn bank account. But come with me to the world of fiction—historical fiction—where women are heroines and men are heroes…and the announcement of “needing another room” is a joyous occasion, and not just another “honey-do.”
The addition of a room most generally heralds the impending arrival of a baby, or the growth of the young family in some way. Because cabins were so small and were generally put up as quickly as possible to provide a more permanent shelter for a family, improvements often had to wait until time, weather, or supplies permitted.
In our historical romances, our heroes are always eager to do whatever is necessary to provide the best possible quarters for their families. You’ll never hear them say, “I’ll do it when the playoffs are over.”
All joking aside, I believe we find the room addition romantic for several reasons, the most obvious one being that our heroine is pregnant and there needs to be a room for the little one the couple has created. Most women can relate to that maternal instinct of preparing a safe, warm place for their baby to sleep.
The second reason a room addition is romantic, is that the hero is actually building something with his skill, knowledge and love to provide for his growing family. It’s his answer to the heroine’s maternal need. Generally, the delivery of the news that a baby is on the way and discussion of the room addition is a shock to the hero, but not an unwelcome one. It transitions him from “husband” to “family man” and gives him the opportunity to “show his stuff.” He proves himself by his reaction to the news. The action he takes toward following through with the reality of building on shows the heroine (and the reader) that he is our “dream man.”
The family unit, complete, is probably the most romantic reason of all. The room addition shows the reader that the heroine and hero have matured, grown in their love for one another and are able to look toward the future as a family unit now. In the child to come, they will see themselves and one another, and will risk everything for the safety, comfort and protection of that child.
And it all starts with…the addition of the extra bedroom for the new life they’ve created.
In the following excerpt from FIRE EYES, Jessica gives Kaed the news that they’re going to be needing a nursery. This is an especially poignant moment because of Kaed’s past, and what it means to him personally. He’s being given a second chance—one he wasn’t sure he wanted, but now is desperate to hold onto.
FROM FIRE EYES:
“Looks like we gave up our bed.” Kaed’s gaze rested on Frank and the two girls. Nineteen. God, he looked so young, like a boy, as he slept, all the lines of worry around his eyes erased. Nineteen. I remember nineteen. Just didn’t understand until now how young it really is.
“Twice now.” Jessica’s voice called him from his thoughts. She grinned and nodded toward where Tom lay talking to Harv. “Maybe by this time tomorrow morning we’ll get lucky,” she whispered, reaching up to kiss his cheek.
“Neither one of us is going to ‘get lucky,’ in any respect, until everyone’s gone,” he grumbled softly, letting go a frustrated sigh. “One thing’s for sure. When everything settles down around here, I’m gonna add on a bedroom. With a door that shuts.”
Jessica was quiet for a moment, then very softly she said, “Better make that two.”
“Two bedrooms?”
“Uh-huh. Ours, and a nursery.”
Kaed nodded. “For Lexi.”
“And the new baby.”
His gaze arrowed to hers.
“Our baby, Kaed.”
The blood rushed through his ears, pounding at his temples. Nothing existed but the woman standing in his strong embrace, her love washing over him in warm waves as her eyes sparkled into his.
“Jessi.” The words he’d spoken to her the day he left came back to haunt him. I just hope that maybe we got lucky. Maybe it didn’t take.
But it had. And damn if he didn’t feel like the luckiest man alive. A baby. He read the unasked question in her expression, and he bent to kiss her. To reassure her. To let her know a family was what he needed and wanted. He felt her relax beneath his hands.
“I told you I was working my way through it, Jess,” he whispered against her cheek. “I’ll be a good father.”
Tears rose in her eyes. She nodded, her hair soft against his stubbled beard. “You’ll be the best.”
“Better than I was before, that’s for sure.” The words slipped out before he could stop them. He took a deep, jagged breath as Jessica finally dared to meet his eyes. He looked away, his gaze wandering about the small cabin, finally returning to lock with Jessica’s.
“I can appreciate what I’ve got this time, Jessi. I took it for granted the first time, and I lost it. I won’t let that happen again.”
Jessica shook her head. “Promise—” she began, but he tilted her face up, putting his lips to hers once more in a gentle, reassuring kiss.
“I’ll never let you go, Jessi. And I’ll never hurt you. I want what we talked about, the family, the farm, maybe a ranch.” He stopped and moistened his lips that had suddenly gone dry. “But most of all, I want you.” He glanced across the room at Tom, who gave him a fleeting grin. After a moment, he returned his gaze to the fathomless pools of Jessica’s eyes. “None of it means anything without the woman I love, Jessica. You. Yes, I promise, sweetheart. I promise everything.”
Travis leaned against the kitchen doorjamb, fresh coffee in hand. “Guess we’d better start beating the bushes for a preacher-man, boys. Get it done up legal and right for Miss Jessi while Kaed’s in this mood. I never seen him like this. Never heard him talk so serious.” He took a drink of his coffee, his green eyes mischievous above the rim of his cup. “I do believe he means it, Miss Jessi.”
The room I think of as most romantic is one that doesn’t exist yet: the room addition.
How can adding on a room be romantic? Okay, first of all, let’s remember this IS make- believe! In real life, home construction or remodeling projects will cause the topic of divorce to be introduced into the loving couple’s conversation at some point. Over and over.
Two short rollers and a can of paint in a bathroom can break a marriage faster than an overdrawn bank account. But come with me to the world of fiction—historical fiction—where women are heroines and men are heroes…and the announcement of “needing another room” is a joyous occasion, and not just another “honey-do.”
The addition of a room most generally heralds the impending arrival of a baby, or the growth of the young family in some way. Because cabins were so small and were generally put up as quickly as possible to provide a more permanent shelter for a family, improvements often had to wait until time, weather, or supplies permitted.
In our historical romances, our heroes are always eager to do whatever is necessary to provide the best possible quarters for their families. You’ll never hear them say, “I’ll do it when the playoffs are over.”
All joking aside, I believe we find the room addition romantic for several reasons, the most obvious one being that our heroine is pregnant and there needs to be a room for the little one the couple has created. Most women can relate to that maternal instinct of preparing a safe, warm place for their baby to sleep.
The second reason a room addition is romantic, is that the hero is actually building something with his skill, knowledge and love to provide for his growing family. It’s his answer to the heroine’s maternal need. Generally, the delivery of the news that a baby is on the way and discussion of the room addition is a shock to the hero, but not an unwelcome one. It transitions him from “husband” to “family man” and gives him the opportunity to “show his stuff.” He proves himself by his reaction to the news. The action he takes toward following through with the reality of building on shows the heroine (and the reader) that he is our “dream man.”
The family unit, complete, is probably the most romantic reason of all. The room addition shows the reader that the heroine and hero have matured, grown in their love for one another and are able to look toward the future as a family unit now. In the child to come, they will see themselves and one another, and will risk everything for the safety, comfort and protection of that child.
And it all starts with…the addition of the extra bedroom for the new life they’ve created.
In the following excerpt from FIRE EYES, Jessica gives Kaed the news that they’re going to be needing a nursery. This is an especially poignant moment because of Kaed’s past, and what it means to him personally. He’s being given a second chance—one he wasn’t sure he wanted, but now is desperate to hold onto.
FROM FIRE EYES:
“Looks like we gave up our bed.” Kaed’s gaze rested on Frank and the two girls. Nineteen. God, he looked so young, like a boy, as he slept, all the lines of worry around his eyes erased. Nineteen. I remember nineteen. Just didn’t understand until now how young it really is.
“Twice now.” Jessica’s voice called him from his thoughts. She grinned and nodded toward where Tom lay talking to Harv. “Maybe by this time tomorrow morning we’ll get lucky,” she whispered, reaching up to kiss his cheek.
“Neither one of us is going to ‘get lucky,’ in any respect, until everyone’s gone,” he grumbled softly, letting go a frustrated sigh. “One thing’s for sure. When everything settles down around here, I’m gonna add on a bedroom. With a door that shuts.”
Jessica was quiet for a moment, then very softly she said, “Better make that two.”
“Two bedrooms?”
“Uh-huh. Ours, and a nursery.”
Kaed nodded. “For Lexi.”
“And the new baby.”
His gaze arrowed to hers.
“Our baby, Kaed.”
The blood rushed through his ears, pounding at his temples. Nothing existed but the woman standing in his strong embrace, her love washing over him in warm waves as her eyes sparkled into his.
“Jessi.” The words he’d spoken to her the day he left came back to haunt him. I just hope that maybe we got lucky. Maybe it didn’t take.
But it had. And damn if he didn’t feel like the luckiest man alive. A baby. He read the unasked question in her expression, and he bent to kiss her. To reassure her. To let her know a family was what he needed and wanted. He felt her relax beneath his hands.
“I told you I was working my way through it, Jess,” he whispered against her cheek. “I’ll be a good father.”
Tears rose in her eyes. She nodded, her hair soft against his stubbled beard. “You’ll be the best.”
“Better than I was before, that’s for sure.” The words slipped out before he could stop them. He took a deep, jagged breath as Jessica finally dared to meet his eyes. He looked away, his gaze wandering about the small cabin, finally returning to lock with Jessica’s.
“I can appreciate what I’ve got this time, Jessi. I took it for granted the first time, and I lost it. I won’t let that happen again.”
Jessica shook her head. “Promise—” she began, but he tilted her face up, putting his lips to hers once more in a gentle, reassuring kiss.
“I’ll never let you go, Jessi. And I’ll never hurt you. I want what we talked about, the family, the farm, maybe a ranch.” He stopped and moistened his lips that had suddenly gone dry. “But most of all, I want you.” He glanced across the room at Tom, who gave him a fleeting grin. After a moment, he returned his gaze to the fathomless pools of Jessica’s eyes. “None of it means anything without the woman I love, Jessica. You. Yes, I promise, sweetheart. I promise everything.”
Travis leaned against the kitchen doorjamb, fresh coffee in hand. “Guess we’d better start beating the bushes for a preacher-man, boys. Get it done up legal and right for Miss Jessi while Kaed’s in this mood. I never seen him like this. Never heard him talk so serious.” He took a drink of his coffee, his green eyes mischievous above the rim of his cup. “I do believe he means it, Miss Jessi.”
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